{"id":13314,"date":"2024-06-28T23:49:55","date_gmt":"2024-06-29T04:49:55","guid":{"rendered":"https:\/\/www.mambogota.com\/?page_id=13314"},"modified":"2025-09-09T14:06:00","modified_gmt":"2025-09-09T19:06:00","slug":"researcher-in-residence","status":"publish","type":"page","link":"https:\/\/www.mambogota.com\/en\/researcher-in-residence\/","title":{"rendered":"Researcher in Residence"},"content":{"rendered":"<p>[et_pb_section fb_built=&#8221;1&#8243; fullwidth=&#8221;on&#8221; custom_padding_last_edited=&#8221;on|desktop&#8221; module_class=&#8221;mambo-fullwidth-title educacion-fullwidth-header&#8221; _builder_version=&#8221;4.16&#8243; custom_padding_tablet=&#8221;50px|0|50px|0&#8243; custom_padding_phone=&#8221;&#8221; transparent_background=&#8221;off&#8221; padding_mobile=&#8221;off&#8221; make_fullwidth=&#8221;off&#8221; use_custom_width=&#8221;off&#8221; width_unit=&#8221;on&#8221; locked=&#8221;off&#8221; global_colors_info=&#8221;{}&#8221;][et_pb_fullwidth_header content_max_width=&#8221;none&#8221; admin_label=&#8221;HEADER EDUCACI\u00d3N &#8211; TEXT + IMAGE&#8221; module_class=&#8221;educacion-header&#8221; _builder_version=&#8221;4.25.2&#8243; background_color=&#8221;rgba(255, 255, 255, 0)&#8221; background_image=&#8221;https:\/\/www.mambogota.com\/wp-content\/uploads\/2024\/06\/mambo-investigacion.jpg&#8221; background_url=&#8221;https:\/\/www.mambogota.com\/wp-content\/uploads\/2016\/11\/IMG_8336.jpg&#8221; button_one_letter_spacing_hover=&#8221;0&#8243; button_two_letter_spacing_hover=&#8221;0&#8243; global_colors_info=&#8221;{}&#8221; button_one_text_size__hover_enabled=&#8221;off&#8221; button_one_text_size__hover=&#8221;null&#8221; button_two_text_size__hover_enabled=&#8221;off&#8221; button_two_text_size__hover=&#8221;null&#8221; button_one_text_color__hover_enabled=&#8221;off&#8221; button_one_text_color__hover=&#8221;null&#8221; button_two_text_color__hover_enabled=&#8221;off&#8221; button_two_text_color__hover=&#8221;null&#8221; button_one_border_width__hover_enabled=&#8221;off&#8221; button_one_border_width__hover=&#8221;null&#8221; button_two_border_width__hover_enabled=&#8221;off&#8221; button_two_border_width__hover=&#8221;null&#8221; button_one_border_color__hover_enabled=&#8221;off&#8221; button_one_border_color__hover=&#8221;null&#8221; button_two_border_color__hover_enabled=&#8221;off&#8221; button_two_border_color__hover=&#8221;null&#8221; button_one_border_radius__hover_enabled=&#8221;off&#8221; button_one_border_radius__hover=&#8221;null&#8221; button_two_border_radius__hover_enabled=&#8221;off&#8221; button_two_border_radius__hover=&#8221;null&#8221; button_one_letter_spacing__hover_enabled=&#8221;on&#8221; button_one_letter_spacing__hover=&#8221;0&#8243; button_two_letter_spacing__hover_enabled=&#8221;on&#8221; button_two_letter_spacing__hover=&#8221;0&#8243; button_one_bg_color__hover_enabled=&#8221;off&#8221; button_one_bg_color__hover=&#8221;null&#8221; button_two_bg_color__hover_enabled=&#8221;off&#8221; button_two_bg_color__hover=&#8221;null&#8221;][\/et_pb_fullwidth_header][\/et_pb_section][et_pb_section fb_built=&#8221;1&#8243; _builder_version=&#8221;4.25.2&#8243; _module_preset=&#8221;default&#8221; global_colors_info=&#8221;{}&#8221;][et_pb_row _builder_version=&#8221;4.25.2&#8243; _module_preset=&#8221;default&#8221; global_colors_info=&#8221;{}&#8221;][et_pb_column type=&#8221;4_4&#8243; _builder_version=&#8221;4.25.2&#8243; _module_preset=&#8221;default&#8221; global_colors_info=&#8221;{}&#8221;][et_pb_heading title=&#8221;Researcher in Residence&#8221; _builder_version=&#8221;4.25.2&#8243; _module_preset=&#8221;default&#8221; title_text_align=&#8221;center&#8221; global_colors_info=&#8221;{}&#8221;][\/et_pb_heading][\/et_pb_column][\/et_pb_row][et_pb_row _builder_version=&#8221;4.25.2&#8243; background_size=&#8221;initial&#8221; background_position=&#8221;top_left&#8221; background_repeat=&#8221;repeat&#8221; locked=&#8221;off&#8221; global_colors_info=&#8221;{}&#8221;][et_pb_column type=&#8221;4_4&#8243; _builder_version=&#8221;4.16&#8243; custom_padding=&#8221;|||&#8221; global_colors_info=&#8221;{}&#8221; custom_padding__hover=&#8221;|||&#8221;][et_pb_divider show_divider=&#8221;off&#8221; _builder_version=&#8221;4.16&#8243; z_index_tablet=&#8221;500&#8243; box_shadow_horizontal_tablet=&#8221;0px&#8221; box_shadow_vertical_tablet=&#8221;0px&#8221; box_shadow_blur_tablet=&#8221;40px&#8221; box_shadow_spread_tablet=&#8221;0px&#8221; global_colors_info=&#8221;{}&#8221;][\/et_pb_divider][et_pb_text _builder_version=&#8221;4.27.4&#8243; _module_preset=&#8221;default&#8221; hover_enabled=&#8221;0&#8243; global_colors_info=&#8221;{}&#8221; sticky_enabled=&#8221;0&#8243;]<\/p>\n<p>This residency offers the opportunity to develop projects focused on the MAMBO\u2019s collection, archive, and exhibition program through the use of digital tools. Participants may explore interdisciplinary connections, historical contexts, or different lines of analysis, contributing to the academic discourse surrounding the museum\u2019s collections. The use of MAMBO\u2019s digitized works as a starting point for new research is especially encouraged.<\/p>\n<p>The winner of the first edition was J\u00falia F\u00e0rras (Spain) with her project <i>What Feeds Us? Of Hearts and Stomachs in the MAMBO Collection<\/i>.<\/p>\n<p><b>About the Project<\/b><b><br \/><\/b>F\u00e0rras\u2019 project explored the intersection between hunger and love, two fundamental forces that feed both the body and the spirit. Through curating works from the MAMBO Collection, she created emotional and physical connections addressing themes such as hunger, nourishment, and food\u2014understood not only as basic needs, but also as elements deeply tied to culture, memory, and identity.<\/p>\n<p>In the first stage, F\u00e0rras reviewed around 90 works from the collection, organizing them into thematic areas: food and identity; bars and restaurants; kitchen; eating and drinking; hunger; sensory and material interaction; still life and bodeg\u00f3n paintings; trades and nature; rituals and customs; symbolism; and social aspects. This classification allowed for curatorial refinement, later combined with dialogues and collaborations with chefs and sommeliers.<\/p>\n<p>J\u00falia acted as curator and facilitator, connecting chefs with the selected works. Throughout the process, creative stages were documented through video, audio, and text, capturing the exchanges between chefs and the collection, and showing how the works inspired culinary proposals by Jefferson Garc\u00eda, Laura Hern\u00e1ndez, Tabi Isabel Castellanos, and Cristina Consuegra.<\/p>\n<p>The process included individual meetings to select works for each dish. Cooking sessions were then held, recorded with the support of MAMBO\u2019s audiovisual team. The resulting material was edited and compiled into a series of videos documenting these collaborations.<\/p>\n<p>Finally, a website was created to bring together all the information generated during the project, including the research, connections with chefs, artwork analyses, and additional reflections\u2014consolidating a digital research catalog.<\/p>\n<p>[\/et_pb_text][et_pb_divider _builder_version=&#8221;4.27.4&#8243; _module_preset=&#8221;default&#8221; show_divider=&#8221;off&#8221; hover_enabled=&#8221;0&#8243; sticky_enabled=&#8221;0&#8243;][\/et_pb_divider][et_pb_button button_text=&#8221;Discover the project here&#8221; _builder_version=&#8221;4.27.4&#8243; _module_preset=&#8221;default&#8221; url_new_window=&#8221;on&#8221; button_url=&#8221;https:\/\/www.researchcatalogue.net\/view\/3106444\/310644&#8243; hover_enabled=&#8221;0&#8243; sticky_enabled=&#8221;0&#8243; button_alignment=&#8221;center&#8221;][\/et_pb_button][et_pb_divider _builder_version=&#8221;4.27.4&#8243; _module_preset=&#8221;default&#8221; show_divider=&#8221;off&#8221; hover_enabled=&#8221;0&#8243; sticky_enabled=&#8221;0&#8243;][\/et_pb_divider][et_pb_image src=&#8221;https:\/\/www.mambogota.com\/wp-content\/uploads\/2025\/09\/mambo-residencias-tallerLuzLizarazo-JY-5-min-scaled.jpg&#8221; _builder_version=&#8221;4.27.4&#8243; _module_preset=&#8221;default&#8221; title_text=&#8221;mambo-residencias-tallerLuzLizarazo-JY-5-min&#8221; hover_enabled=&#8221;0&#8243; sticky_enabled=&#8221;0&#8243;][\/et_pb_image][et_pb_text _builder_version=&#8221;4.27.4&#8243; _module_preset=&#8221;default&#8221; hover_enabled=&#8221;0&#8243; global_colors_info=&#8221;{}&#8221; sticky_enabled=&#8221;0&#8243;]<\/p>\n<p style=\"text-align: center;\">J\u00falia F\u00e0rras and Luz \u00c1ngela Lizarazo in the artist\u2019s studio during the creation process of <i>Disponer el ablandamiento<\/i> (2024). Photograph by Juan Yaruro.<\/p>\n<p>[\/et_pb_text][et_pb_divider _builder_version=&#8221;4.27.4&#8243; _module_preset=&#8221;default&#8221; show_divider=&#8221;off&#8221; hover_enabled=&#8221;0&#8243; sticky_enabled=&#8221;0&#8243;][\/et_pb_divider][et_pb_text _builder_version=&#8221;4.27.4&#8243; _module_preset=&#8221;default&#8221; hover_enabled=&#8221;0&#8243; global_colors_info=&#8221;{}&#8221; sticky_enabled=&#8221;0&#8243;]<b>A Collaboration with Chef Jefferson Garc\u00eda<\/b><\/p>\n<p>Jefferson Garc\u00eda (restaurant Afluente) created a dish representing Colombia\u2019s territories in a tangible way. The textures and colors of Miguel Ocampo, the graphic narrative of Mar\u00eda Curtin, the visual strength of Diego Samper\u2019s photographs, and the materiality of Nijol\u0117 \u0160ivickas\u2019 ceramics guided the creative process.<\/p>\n<p>The dish incorporated ingredients representative of the p\u00e1ramos (high-altitude ecosystems) and other regions of the country, visually and materially reflecting the selected works. This proposal established a link between local natural resources and artistic language, generating an experience combining visual, cultural, and sensory elements.<\/p>\n<p><b>MAMBO Collection works in the project:<\/b><\/p>\n<ul>\n<li>Diego Samper, <i>Julia y Francisca, Calamb\u00e1s-Tomb\u00e9<\/i>, 1977, black-and-white photograph, 39 \u00d7 26 cm.<\/li>\n<li>Miguel Ocampo, <i>Untitled<\/i> series, 1972, acrylic on canvas, 45.5 \u00d7 56 cm.<\/li>\n<li>Mar\u00eda Curtin, <i>La cena<\/i>, 1990, silkscreen 1\/30, 40 \u00d7 26 cm.<\/li>\n<li>Nijol\u0117 \u0160ivickas, <i>Untitled (La flor)<\/i>, 1986, ceramic.<\/li>\n<\/ul>\n<p>[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row _builder_version=&#8221;4.27.4&#8243; _module_preset=&#8221;default&#8221; column_structure=&#8221;1_2,1_2&#8243;][et_pb_column _builder_version=&#8221;4.27.4&#8243; _module_preset=&#8221;default&#8221; type=&#8221;1_2&#8243;][et_pb_image src=&#8221;https:\/\/www.mambogota.com\/wp-content\/uploads\/2025\/09\/0083_Miguel-Ocampo-scaled.jpg&#8221; _builder_version=&#8221;4.27.4&#8243; _module_preset=&#8221;default&#8221; title_text=&#8221;0083_Miguel Ocampo&#8221; hover_enabled=&#8221;0&#8243; sticky_enabled=&#8221;0&#8243;][\/et_pb_image][et_pb_text _builder_version=&#8221;4.27.4&#8243; _module_preset=&#8221;default&#8221; hover_enabled=&#8221;0&#8243; global_colors_info=&#8221;{}&#8221; sticky_enabled=&#8221;0&#8243;]<\/p>\n<p style=\"text-align: center;\">Miguel Ocampo, serie <i>Sin t\u00edtulo<\/i>, 1972, Colecci\u00f3n MAMBO.<\/p>\n<p>[\/et_pb_text][\/et_pb_column][et_pb_column _builder_version=&#8221;4.27.4&#8243; _module_preset=&#8221;default&#8221; type=&#8221;1_2&#8243;][et_pb_image src=&#8221;https:\/\/www.mambogota.com\/wp-content\/uploads\/2025\/09\/Nijole_1611-scaled.jpg&#8221; _builder_version=&#8221;4.27.4&#8243; _module_preset=&#8221;default&#8221; title_text=&#8221;Nijole_1611&#8243; hover_enabled=&#8221;0&#8243; sticky_enabled=&#8221;0&#8243;][\/et_pb_image][et_pb_text _builder_version=&#8221;4.27.4&#8243; _module_preset=&#8221;default&#8221; hover_enabled=&#8221;0&#8243; global_colors_info=&#8221;{}&#8221; sticky_enabled=&#8221;0&#8243;]<\/p>\n<p style=\"text-align: center;\">Nijole Sivickas, <i>Sin t\u00edtulo (La flor)<\/i>, 1986. Cer\u00e1mica. Colecci\u00f3n MAMBO.<\/p>\n<p>[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row _builder_version=&#8221;4.27.4&#8243; _module_preset=&#8221;default&#8221;][et_pb_column _builder_version=&#8221;4.27.4&#8243; _module_preset=&#8221;default&#8221; type=&#8221;4_4&#8243;][et_pb_button button_text=&#8221;Watch video&#8221; _builder_version=&#8221;4.27.4&#8243; _module_preset=&#8221;default&#8221; url_new_window=&#8221;on&#8221; button_url=&#8221; https:\/\/www.instagram.com\/reel\/DAHekeHJwIj\/?igsh=YW9leGdhNGdscjJo&#8221; hover_enabled=&#8221;0&#8243; sticky_enabled=&#8221;0&#8243; button_alignment=&#8221;center&#8221;][\/et_pb_button][et_pb_divider _builder_version=&#8221;4.27.4&#8243; _module_preset=&#8221;default&#8221; show_divider=&#8221;off&#8221; hover_enabled=&#8221;0&#8243; sticky_enabled=&#8221;0&#8243;][\/et_pb_divider][et_pb_text _builder_version=&#8221;4.27.4&#8243; _module_preset=&#8221;default&#8221; hover_enabled=&#8221;0&#8243; sticky_enabled=&#8221;0&#8243;]<b>Convergence<\/b><b><br \/>\n<\/b><b>A Dialogue with Sommelier Laura Hern\u00e1ndez<\/b><b><br \/>\n<\/b><b><br \/>\n<\/b>In collaboration with sommelier Laura Hern\u00e1ndez, Convergencia was created\u2014a cocktail that interprets works by Beatriz Gonz\u00e1lez, Stephanie Quirola, and Alberto Sierra in liquid form. This proposal reflects on cultural identity, sustainability, and consumption dynamics, integrating ingredients and techniques that engage with the visual and conceptual languages of the works.<\/p>\n<p>Inspired by Naturaleza sui generis (1972) by Beatriz Gonz\u00e1lez, Laura used a passionfruit and chirimbolo distillate, celebrating the authenticity of local flavors. <i>Still Life with Glade<\/i>\u00ae (2019) by Quirola led her to incorporate tree tomato ferment, promoting a conscious approach to consumption. Finally, <i>Untitled<\/i> (1985) by Alberto Sierra inspired the inclusion of \u201cmilk punch\u201d as a nod to rural dairy production, along with frozen floral elements evoking the link between the urban, the everyday, and the natural.<\/p>\n<p><b>MAMBO Collection works in the project:<\/b><\/p>\n<ul>\n<ul>\n<li>Beatriz Gonz\u00e1lez, <i>Naturaleza sui generis<\/i>, 1972, enamel on metal, 106 \u00d7 126 \u00d7 14 cm.<\/li>\n<li>Alberto Sierra, <i>Untitled<\/i>, 1985, silkscreen, 47.7 \u00d7 47.6 cm.<\/li>\n<li>Stephanie Quirola, <i>Still Life with Glade\u00ae<\/i>, 2019, installation (fruit and Glade air freshener).<\/li>\n<\/ul>\n<\/ul>\n<ul><\/ul>\n<h3><\/h3>\n<p>[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row _builder_version=&#8221;4.27.4&#8243; _module_preset=&#8221;default&#8221; column_structure=&#8221;1_2,1_2&#8243;][et_pb_column _builder_version=&#8221;4.27.4&#8243; _module_preset=&#8221;default&#8221; type=&#8221;1_2&#8243;][et_pb_image src=&#8221;https:\/\/www.mambogota.com\/wp-content\/uploads\/2025\/09\/mambo-Viceversa-I.V-Piso-2-GDzg-2-53-min-scaled.jpg&#8221; _builder_version=&#8221;4.27.4&#8243; _module_preset=&#8221;default&#8221; title_text=&#8221;mambo- Viceversa I.V &#8211; Piso 2 &#8211; GDzg- 2-53-min&#8221; hover_enabled=&#8221;0&#8243; sticky_enabled=&#8221;0&#8243;][\/et_pb_image][et_pb_text _builder_version=&#8221;4.27.4&#8243; _module_preset=&#8221;default&#8221; hover_enabled=&#8221;0&#8243; global_colors_info=&#8221;{}&#8221; sticky_enabled=&#8221;0&#8243;]<\/p>\n<p style=\"text-align: center;\">Stephanie Quirola, <i>Still Life with Glade\u00ae\ufe0f<\/i>, 2019. Colecci\u00f3n MAMBO.<\/p>\n<p>[\/et_pb_text][\/et_pb_column][et_pb_column _builder_version=&#8221;4.27.4&#8243; _module_preset=&#8221;default&#8221; type=&#8221;1_2&#8243;][et_pb_image src=&#8221;https:\/\/www.mambogota.com\/wp-content\/uploads\/2025\/09\/Beatriz-Gonzalez_0591-scaled.jpg&#8221; _builder_version=&#8221;4.27.4&#8243; _module_preset=&#8221;default&#8221; title_text=&#8221;Beatriz Gonzalez_0591&#8243; hover_enabled=&#8221;0&#8243; sticky_enabled=&#8221;0&#8243;][\/et_pb_image][et_pb_text _builder_version=&#8221;4.27.4&#8243; _module_preset=&#8221;default&#8221; hover_enabled=&#8221;0&#8243; global_colors_info=&#8221;{}&#8221; sticky_enabled=&#8221;0&#8243;]<\/p>\n<p style=\"text-align: center;\">Nijole Sivickas, <i>Sin t\u00edtulo (La flor)<\/i>, 1986. Cer\u00e1mica. Colecci\u00f3n MAMBO.<\/p>\n<p>[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row _builder_version=&#8221;4.25.2&#8243; _module_preset=&#8221;default&#8221; global_colors_info=&#8221;{}&#8221;][et_pb_column type=&#8221;4_4&#8243; _builder_version=&#8221;4.25.2&#8243; _module_preset=&#8221;default&#8221; global_colors_info=&#8221;{}&#8221;][et_pb_button button_text=&#8221;Watch video&#8221; _builder_version=&#8221;4.27.4&#8243; _module_preset=&#8221;default&#8221; url_new_window=&#8221;on&#8221; button_url=&#8221;https:\/\/www.instagram.com\/reel\/DBKerQKp7bu\/?igsh=MWhuMnNtMHJjZmtyYg==&#8221; hover_enabled=&#8221;0&#8243; sticky_enabled=&#8221;0&#8243; button_alignment=&#8221;center&#8221;][\/et_pb_button][et_pb_text _builder_version=&#8221;4.27.4&#8243; _module_preset=&#8221;default&#8221; hover_enabled=&#8221;0&#8243; sticky_enabled=&#8221;0&#8243;]<\/p>\n<p><strong>Identity and Memory<\/strong><br \/><strong>Collaboration with Chef Tabi Castellanos<\/strong><\/p>\n<p>With references ranging from cultural identity to historical memory, chef and ceramicist Tabi Castellanos used local ingredients to honor Colombian roots and traditions.<br \/>Tabi developed a tart inspired by themes of identity and memory, drawing from Pan de ma\u00edz by Carlos Alfonso, which prompted reflection on corn as both a visual and culinary symbol. Palenque by Ana Mercedes Hoyos highlighted women\u2019s creativity and resilience in the kitchen. Milton Charruti\u2019s textures inspired the use of native fruits, while the tragedy in Carlos Caicedo\u2019s work prompted the use of cassava and corn flours. Inspired by Flor invisible by Jim Amaral and Ruby Posada\u2019s spiral, the tart became a multisensory experience linking the artistic to the vital.<\/p>\n<p>[\/et_pb_text][et_pb_image src=&#8221;https:\/\/www.mambogota.com\/wp-content\/uploads\/2025\/09\/Carlos-Alfonso.png&#8221; _builder_version=&#8221;4.27.4&#8243; _module_preset=&#8221;default&#8221; title_text=&#8221;Carlos Alfonso&#8221; hover_enabled=&#8221;0&#8243; sticky_enabled=&#8221;0&#8243; align=&#8221;center&#8221;][\/et_pb_image][et_pb_text _builder_version=&#8221;4.27.4&#8243; _module_preset=&#8221;default&#8221; hover_enabled=&#8221;0&#8243; sticky_enabled=&#8221;0&#8243;]<\/p>\n<p style=\"text-align: center;\">Carlos Alfonso, <i>Pan de ma\u00edz<\/i>, 2019. Colecci\u00f3n MAMBO<\/p>\n<p>[\/et_pb_text][et_pb_divider _builder_version=&#8221;4.27.4&#8243; _module_preset=&#8221;default&#8221; show_divider=&#8221;off&#8221; hover_enabled=&#8221;0&#8243; sticky_enabled=&#8221;0&#8243;][\/et_pb_divider][et_pb_text _builder_version=&#8221;4.27.4&#8243; _module_preset=&#8221;default&#8221; hover_enabled=&#8221;0&#8243; sticky_enabled=&#8221;0&#8243;]<b>MAMBO Collection artworks in the project:<\/b><\/p>\n<ul>\n<li>Ana Mercedes Hoyos, <i>Untitled<\/i>, 2008, acrylic on canvas.<\/li>\n<li>Ruby Posada, <i>Regresar al principio es seguir adelante<\/i>, 1987.<\/li>\n<li>Milton Charruti Blanc, <i>Colombia vive<\/i>, 1989.<\/li>\n<li>Carlos Alfonso, <i>Pan de ma\u00edz<\/i>, 2019.<\/li>\n<li>Carlos Caicedo, <i>Envenenamiento en Chiquinquir\u00e1<\/i>, 1967.<\/li>\n<\/ul>\n<p><b>Affections, Art, and Gastronomy<\/b><b><br \/>\n<\/b><b>A Dialogue with Cristina Consuegra<\/b><span style=\"font-weight: 400;\"><br \/>\n<\/span><span style=\"font-weight: 400;\"><br \/>\n<\/span>Chef and anthropologist Cristina Consuegra created a culinary experience inspired by MAMBO\u2019s collection, integrating affections and memory as creative axes.<\/p>\n<p>Among the pieces that influenced her proposal was <i>Todas mis bestias<\/i>, connecting land and emotions through the creation of a clay dining space evoking sowing and nourishment as acts of inner transformation. Adolfo Bernal\u2019s <i>Miel<\/i> inspired the use of honey and bee-pollinated plants, honoring natural cycles and networks of collectivity. <i>Este lugar<\/i> by Cecilia Ord\u00f3\u00f1ez led to a spiral clay table setting, reflecting the bond between identity and territory. Finally, Hermi Friedmann\u2019s photography connected Cristina to Colombian landscapes and cultural diversity, leading her to incorporate roasted pineapple\u2014learned in the jungle\u2014as a personal representation of territory.[\/et_pb_text][et_pb_divider _builder_version=&#8221;4.27.4&#8243; _module_preset=&#8221;default&#8221; show_divider=&#8221;off&#8221; hover_enabled=&#8221;0&#8243; sticky_enabled=&#8221;0&#8243;][\/et_pb_divider][et_pb_image src=&#8221;https:\/\/www.mambogota.com\/wp-content\/uploads\/2025\/09\/Transporte-de-pinas-scaled.jpg&#8221; _builder_version=&#8221;4.27.4&#8243; _module_preset=&#8221;default&#8221; title_text=&#8221;Transporte de pin\u0303as&#8221; hover_enabled=&#8221;0&#8243; sticky_enabled=&#8221;0&#8243;][\/et_pb_image][et_pb_text _builder_version=&#8221;4.27.4&#8243; _module_preset=&#8221;default&#8221; hover_enabled=&#8221;0&#8243; sticky_enabled=&#8221;0&#8243;]<\/p>\n<p style=\"text-align: center;\">Hermi Friedman, <i>Transporte de pi\u00f1as en el Magdalena<\/i>, 1960. Colecci\u00f3n MAMBO.<\/p>\n<p>[\/et_pb_text][et_pb_divider _builder_version=&#8221;4.27.4&#8243; _module_preset=&#8221;default&#8221; show_divider=&#8221;off&#8221; hover_enabled=&#8221;0&#8243; sticky_enabled=&#8221;0&#8243;][\/et_pb_divider][et_pb_text _builder_version=&#8221;4.27.4&#8243; _module_preset=&#8221;default&#8221; hover_enabled=&#8221;0&#8243; sticky_enabled=&#8221;0&#8243;]<b>MAMBO Collection artworks in the project:<\/b><\/p>\n<ul>\n<li>Adolfo Bernal, <i>Miel<\/i>, 1980, letterpress print, 34.5 \u00d7 49.5 cm.<\/li>\n<li>Hermi Friedman, <i>Transporte de pi\u00f1as en el Magdalena<\/i>, 1960, black-and-white photograph, 17.8 \u00d7 23.3 cm.<\/li>\n<li>Luz \u00c1ngela Lizarazo, <i>Serpientes, aves y lobos<\/i>, from the <i>Todas mis bestias<\/i> series, 2020, mixed media on cotton paper.<\/li>\n<li>Luz \u00c1ngela Lizarazo, <i>Disponer del ablandamiento<\/i>, 2024, nylon stockings and agates.<\/li>\n<li>Luz \u00c1ngela Lizarazo, <i>La mirada<\/i>, paraffin, drawing, and collage (58 pieces), 1995.<\/li>\n<\/ul>\n<p><b>About the Resident<\/b><\/p>\n<p>J\u00falia Farr\u00e0s Marginedas (Spain) works at the intersection of Humanities, Anthropology, and cultural management. She graduated with honors in Humanities from Pompeu Fabra University and holds a master\u2019s degree in Anthropology and Ethnography from the University of Barcelona. She is currently pursuing her PhD in Society and Culture at the same institution. Splitting her time between Barcelona and Colombia, she has collaborated on research and cultural management projects with the Embassy of Spain in Colombia, the Truth Commission, Imaginart Gallery, Rebobinart, and Fundaci\u00f3n Gladys Palmera, among others. Specializing in inclusive curatorial narratives through participatory methodologies, she currently works at the Embassy of Spain in Colombia while developing independent curatorial projects.<\/p>\n<p><b>About the Call for Applications<\/b><\/p>\n<p>From July 8 to 19, 2024, the call for applications for the Research Residency was open. A total of 55 applications were received from Colombia, Spain, Mexico, El Salvador, Chile, Costa Rica, Ecuador, Argentina, and Venezuela, coming from postgraduate students, emerging researchers, artists, curators, art historians, photographers, audiovisual producers, designers, architects, musicians, historians, sociologists, political scientists, anthropologists, philosophers, educators, archaeologists, conservators, and cultural managers.<\/p>\n<p><b>Acknowledgments<\/b><b><br \/>\n<\/b>This residency is made possible thanks to the <i>New Frontiers in Research Fund<\/i> of the Government of Canada [NFRF-2022-00245], in collaboration with Susana Vargas-Mej\u00eda.[\/et_pb_text][et_pb_divider _builder_version=&#8221;4.27.4&#8243; _module_preset=&#8221;default&#8221; show_divider=&#8221;off&#8221; hover_enabled=&#8221;0&#8243; sticky_enabled=&#8221;0&#8243;][\/et_pb_divider][et_pb_button button_url=&#8221;https:\/\/www.mambogota.com\/en\/research&#8221; button_text=&#8221;GO BACK&#8221; _builder_version=&#8221;4.27.4&#8243; _module_preset=&#8221;default&#8221; custom_button=&#8221;on&#8221; button_text_color=&#8221;#000000&#8243; button_icon=&#8221;&#x23;||divi||400&#8243; button_icon_placement=&#8221;left&#8221; hover_enabled=&#8221;0&#8243; global_colors_info=&#8221;{}&#8221; sticky_enabled=&#8221;0&#8243;][\/et_pb_button][\/et_pb_column][\/et_pb_row][\/et_pb_section]<\/p>\n","protected":false},"excerpt":{"rendered":"<p>This residency offers the opportunity to develop projects focused on the MAMBO\u2019s collection, archive, and exhibition program through the use of digital tools. Participants may explore interdisciplinary connections, historical contexts, [&hellip;]<\/p>\n","protected":false},"author":373,"featured_media":13088,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_acf_changed":false,"_et_pb_use_builder":"on","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":""},"class_list":["post-13314","page","type-page","status-publish","has-post-thumbnail","hentry"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v24.4 - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>Researcher in Residence - MAMBO<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.mambogota.com\/en\/researcher-in-residence\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Researcher in Residence - MAMBO\" \/>\n<meta property=\"og:description\" content=\"This residency offers the opportunity to develop projects focused on the MAMBO\u2019s collection, archive, and exhibition program through the use of digital tools. 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