— 6:00 pm
Julia Draganovic
It can’t be more precious and vulnerable – Curating Performance I
Dates:
Wednesday 11 April
Schedule:
6:00 pm
Place:
Auditorio MAMBO - Calle 24 # 6-00
Prices:
30.000 COP Regular.
21.000 COP Senior citizens, students and docents.
Contact:
educacion@mambogota.com
Julia Draganovic
Performance art curator and museum director, Julia Draganovic (PhD) is interested in the relation between the local and the global, intrigued by ephemeral art as well as by artistic environments that are able to enwrap you.
She brutally exploits art as a tool to understand the world that surrounds her. Currently, she is the Director of Kunsthalle Osnabruck, Germany, founding member of LaRete Art Projects, board member of No Longer Empty, New York and President of IKT International Association of Curators of Contemporary Art.
Photo: Angela von Brill.
Maria José Arjona: Flug (Flight). Participatory performance at Kunsthalle Osnabrück, Germany 2016.
Julia Draganovic
Performance art curator and museum director, Julia Draganovic (PhD) is interested in the relation between the local and the global, intrigued by ephemeral art as well as by artistic environments that are able to enwrap you.
She brutally exploits art as a tool to understand the world that surrounds her. Currently, she is the Director of Kunsthalle Osnabruck, Germany, founding member of LaRete Art Projects, board member of No Longer Empty, New York and President of IKT International Association of Curators of Contemporary Art.
Photo: Angela von Brill.
Maria José Arjona: Flug (Flight). Participatory performance at Kunsthalle Osnabrück, Germany 2016.
Julia Draganovic will share her experience and knowledge about participatory art projects and the presentation of time-based artworks in exhibition spaces. Since these art forms were historically developed in environments like theatre stages, cinemas, and the public realm; it is worth mentioning the challenges and opportunities these kinds of works present in spaces typically dedicated to show commodities and to engage audiences used to viewing motionless objects.
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